Florante at Laura Florante at Laura is a Philippine literature classic written in the nineteenth century by Francisco Baltazar (1788-1862), better known by his pen name Balagtas. It is a romance in Tagalog verse. The story is about the love and determination of the Duke Florante and the Princess Laura of Albania while being pursued by the usurper Count Adolfo. Plot In the Albanian forest. The story begins deep within a dark, gloomy forest. Francisco Balagtas wrote the poem 'Gubat na Mapanglaw' to describe the melancholic forest.
Florante at Laurais considered anawit,or long narrative poem. The genre consists of fantastic or chivalric-heroicthemes written in rhyming quatrains running to hundreds or thousands of lines.Although apparently set in a distant land with non-Filipino characters, even acursory reading of the text reveals parallel situations in Filipino life.
In 1838 was published perhaps the mostinfluential of all Filipino poetry – the metrical romance entitledPinagdaanang Buhay ni Florante atni Laura sa Cahariang Albania – Quinuha sa Madlang Cuadro Historico o PinturangNagsasabi nang manga Nangyari nang unang Panahon sa Imperio nang Grecia – atTinula nang isang Matouian sa Versong Tagalog (The Life Story of Florante andLaura in the Kingdom of Albania: Culled from historical accounts and paintingswhich describe what happened in ancient Greece, and written by one who enjoysTagalog verse). Today its long title has been simply shortened toFlorante at Laura. Baltazar wasa true pioneer in early 19th century Philippines. Writing inTagalogwas acourageous and novel move, for at that time most published work was in Spanish.His Tagalog works established the legitimacy of writing literary works inTagalog, demonstrating the heights the language could reach.
Florante at Laurais set in a distant land, but theprotagonists suffer similar fates as Filipinos of the Spanish colonial era. Theprotagonist is Florante, son of the second in command of the Kingdom ofAlbania. The other title character is Laura, the daughter of King Linceus, inspiredby Rivera, Baltazar’s former muse. The romance juxtaposes the stories of theseill-fated lovers with the similarly-fated romance of Flerida, a Muslim princessand Aladdin, the son of Sultan Ali-Adab of Persia. On the surface the workresembles a typical Filipinokomedyaormoro-moro, a morality theatrical work depicting the eternalduel of Moors and Christians set in a mythical or distant kingdom. But when theFilipinos first heard Baltazar’s work, it sounded almost revolutionary, becausethe lines dared to depict common injustices that Filipinos had suffered at thehands of Spaniards, as well as the typical evils that beset them during thecolonial regime.
![Story Story](/uploads/1/1/9/7/119793314/943189701.jpg)
Florante at Laurais filled with passages on living theupright life and respecting elders and the values of love for country, industryand patriotism. One of its central themes is that religious differences shouldnot be used to discriminate against another. The themes mined by Baltazarcontinue to reverberate within Philippine society, so much so that the work isconsidered along withJose Rizal’s'Noli MeTangere'as part ofthe Philippine literary canon and was made obligatory reading at the secondarylevel.
UP historianJaime Veneracionassesses its impact: “Contemporaneouswith Varela's ‘Proclama Historia’ was Francisco (Balagtas) Baltazar'sFloranteat Laura, which, though written in the Spanish corrido genre, didn't tellthe usual religious story. Instead, it told of a hero, Florante, who was adeposed ruler of a faraway kingdom of Albania. The pretender to the throneexploited the people, took away Florante's sweetheart, Laura, and had Florantetied to a tree in the forest where he could be devoured by lions. Florante wassaved by a Moro prince who, just like him, was a victim of schemers andpretenders. The Christian and the Moro then found themselves together in thestruggle to recover their respective kingdoms. Francisco Baltazar referred tothe lost kingdom as ‘ang bayan kong sawi,’ roughly, ‘my unfortunate bayan,’ abayan exploited by pretenders and colonizers and which should be defended byChristian and Moro brothers-in-arms. And used here, ‘bayan’ already presagedthe concept of a nation, a construct presupposing the existence of othernations. The knowledge that there already existed certain places such asAlbania made it valid for one to have a ‘bayan’ of one's own.”
Florante At Laura Story Tagalog
Source: NA. (n.d.). Francisco Balagtas. Retrieved May 18, 2014, from Wikipilipinas : http://en.wikipilipinas.org/index.php/Francisco_Baltazar
Florante At Laura Full Story
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